Автор: guitarhero

  C            G     Am         Em  
Here's to you, Nicola and Bart 
 C           G    Am          G  
Rest forever here in our hearts 
 Em            Dm    G          C  
The last and final moment is yours 
 C      G      Am   Em   Am  
That agony is your triumph 

 LOVE IS JUST A FOUR-LETTER WORD
by Bob Dylan

Recorded by Joan Baez
Submitted by Andrea Baroni (baroni_andrea@hotmail.com)

Intro: G

D
Seems like only yesterday
  Em
I left my mind behind
D
Down in the Gypsy Cafe
       Em
With a friend of a friend of mine
    D                            Am
She sat with a baby heavy on her knee
    D                                  Am
Yet spoke of life most free from slavery
     D                                Am
With eyes that showed no trace of misery
  D                               Am
A phrase in connection first with she
C D
I heard
     D7                         G
That love is just a four-letter word

Outside a rambling store-front window
Cats meowed to the break of day
Me, I kept my mouth shut, too
To you I had no words to say
My experience was limited and underfed
You were talking while I hid
To the one who was the father of your kid
You probably didn't think I did, but I heard
You say that love is just a four-letter word

I said goodbye unnoticed
Pushed towards things in my own games
Drifting in and out of lifetimes
Unmentionable by name
Searching for my double, looking for
Complete evaporation to the core
Though I tried and failed at finding any door
I must have thought that there was nothing more
Absurd than that love is just a four-letter word

Though I never knew just what you meant
When you were speaking to your man
I can only think in terms of me
And now I understand
After waking enough times to think I see
The Holy Kiss that's supposed to last eternity
Blow up in smoke, its destiny
Falls on strangers, travels free
Yes, I know now, traps are only set by me
And I do not really need to be
Assured that love is just a four-letter word 

            Am              Dm
Todos me dicen el negro, llorona
Am            E
Negro pero carinoso
Am                Dm
Todo me dicen el negro, llorona
Am            E
Negro pero carinoso
   Am                  G
Yo soy como el chile verde, llorona
   Dm          E
Picante pero sabroso
   Am                 Dm
Yo soy como el chile verde, llorona
   Dm          E
Picante pero sabroso

Ay de mi llorona, llorona de ayer y de hoy
Ay de mi llorona, llorona de ayer y de hoy
Ayer era maravilla llorona
Y ahora ni sombra soy
Ayer ero maravilla llorona
Y ahora ni sombra soy

Dicen que no tengo duelo, llorona
Porque no me ven llorar
Dicen que no tengo duelo, llorona
Porque no me ven llorar
Hay muertos que no hacen ruido, llorona
Y es mas grande su penar
Hay muertos que no hacen ruido, llorona
Y es mas grande su penar

Ay de mi, llorona, llorona de azul celeste
Ay de mi, llorona, llorona de azul celeste
Y aunque la vida me cueste, llorona
No dejare de quererte
Y aunque la vida me cueste, llorona
No dejare de quererte 

      A
Go away from my window
    F#m
Go away from my door
     A                   F
Go away-way-way from my bedside
     A            A7
And bother me no more
D           E     A
And bother me no more

I'll go tell all of my brothers
I'll go tell my sisters too
The reason that my heart is broke
Is on account of you
Is on account of you

I'll give you back your presents
You give me back my ring
And I won't forget my own true love
As long as song birds sing
As long as song birds sing

Go away from my window
Go away from my door
Go away-way-way from my bedside
And bother me no more
And bother me no more 

  Am   E7    Am         E7  
On a wagon, bound for market 
 Am         Dm         F        E7  
there's a calf with a mournful eye, 
 Am    E7   Am             E7  
high above him there's a swallow 
 Am       Dm      Am     E7  Am  
winging swiftly through the sky. 
 
 G                 C        Am  
How the winds are laughing,  
     Dm         G         C  
the laugh with all their might, 
 Dm        G         C         Am  
laugh and laugh the whole day through, 
     E       E7        Am  
and half the summer's night. 
 E             E7     Am  
Donna, donna, donna, donna 
 Dm            G      C  
donna, donna, donna, don, 
 E             E7    Am  
donna, donna, donna donna, 
 E             E7     Am  
donna, donna, donna, don. 
 
 Am       E7         Am        E7  
"Stop complaining!" said the farmer,  
 Am         Dm   F      E7  
"Who told you a calf to be? 
 Am        E7       Am       E7  
Why don't you have, wings to fly 
 Am            Dm        Am     E7  Am  
with like the swallow so proud and free?" 
 
 G                 C        Am  
How the winds are laughing,  
     Dm         G         C  
the laugh with all their might, 
 Dm        G         C         Am  
laugh and laugh the whole day through, 
     E       E7        Am  
and half the summer's night. 
 E             E7     Am  
Donna, donna, donna, donna 
 Dm            G      C  
donna, donna, donna, don, 
 E             E7    Am  
donna, donna, donna donna, 
 E             E7     Am  
donna, donna, donna, don. 
  
 Am         E7    Am         E7  
Calves are easily bound and slaughtered, 
 Am    Dm          F      E7  
never knowing the reason why, 
 Am      E7  Am        E7  
but whoever treasures freedom 
 Am       Dm          Am     E7  Am  
like the swallow has learned to fly. 
 
 G                 C        Am  
How the winds are laughing,  
     Dm         G         C  
the laugh with all their might, 
 Dm        G         C         Am  
laugh and laugh the whole day through, 
     E       E7        Am  
and half the summer's night. 
 E             E7     Am  
Donna, donna, donna, donna 
 Dm            G      C  
donna, donna, donna, don, 
 E             E7    Am  
donna, donna, donna donna, 
 E             E7     Am  
donna, donna, donna, don. 

 #----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#


Date: 09 Sep 95 14:45:25 EDT
From: Dave Scott 
Subject: Diamonds and Rust by Joan Baez

>From Dave Scott at (100620.3037@compuserve.com)

DIAMONDS AND RUST -  Joan Baez
>From record of same name

Chords are as played; I cannot remember what fret the capo should go on (I play it open in C tuning)

Em   Em
Well I'll be damned
                C
Here comes your ghost again
                G
But that's not unusual
                  D
Its just that the moon is full
                    Em
And you happened to call
    Em
And here I sit
            C
Hand on the telephone
                G
I'm hearing a voice I'd known
            D
A couple of light years ago
                       Em
Heading straight for a fall

As I remember,
Your eyes were bluer than robins' eggs
My poetry was lousy you said
Where are you calling from?
A booth in mid-west
Ten years ago
I bought you some cuff-links
You bought me something
We both know what memories can bring
They bring diamonds and rust


You burst on the scene
Already a legend
The unwashed phenomenon
The original vagabond
You strayed into my arms
And there you stayed
Temporarily lost at sea
The madonna was yours for free
The girl on the half-shell
Could keep you unharmed


      Bm
Now I see you standing with brown leaves falling all around
                 Am
And snow in your hair
     Bm
Now you're smiling out of the window of that crummy hotel
                Am
Over Washington square
      C
Our breath comes out of white clouds
                         G
Mingles and hangs in the air
        Fmaj7
Speaking strictly for me
                                 G     B7
We both could have died then and there

Now your telling me
Your not nostalgic
Then give me another word for it
You who are so good with words
And keeping things vague
'Cos I need some of that vagueness now
Its all come back too clearly
Yes I loved you dearly
And if you're offering diamonds and rust
I've already paid


----------------------****--------------------------------


The picking sequence for the opening bar is as follows, repeated - slide up 2 frets, D string, to get base 
sequence.  The remainder uses the same style picking out the base runs (which you can get from the 
using the chords shown.

Em
e|-------------------------|
B|-----0---0-------0---0---|
G|----0---0---0---0---0--0-|
D|---- -----2---4---2------|
A|----- 2---------------2--|
E|--0----------------------|
    |   |   |   |   |   |

Between verses, play base on D string from fret 2 to 4 to 2 to 4 to 5 to 4 to 5 then to G string 4th fret, 
move to B7 shape before returning to the Em sequence.
Play Fmaj7 using standard F-shape with open top E.

From sitkoff@greed.cs.umass.edu Fri Mar 21 11:24:59 1997
Date: Thu, 13 Mar 1997 18:51:51 -0500 (EST)
From: Nathan Sitkoff 

Diamonds and Rust - Joan Baez

Tabulature by Nathan Sitkoff

Intro:

  Em
E --------0-----------0-----------|--------0-----------0-----------|
B --------0-----------0-----------|--------0-----------0-----------|
G ----0-----------0---------------|----0-----------0-----------0---|
D ------------------------2-------|4-----------2-------------------|
A ------------2-------------------|------------------------2-------|
E 0-------------------------------|--------------------------------|
  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .

E --------0-----------0-----------|--------0-----------0-----------|
B --------0-----------0-----------|--------0-----------0-----------|
G ----0-----------0---------------|----0-----------0-----------0---|
D ------------------------2-------|4-----------2-----------4-------|
A ------------2-------------------|--------------------------------|
E 0-------------------------------|--------------------------------|
  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .

E --------0-----------0-----------|--------0-----------0-----------|
B ----0-----------0-----------0---|----0-----------0-----------0---|
G --------------------------------|2-----------0-----------2-------|
D 5-----------4-----------5-------|--------------------------------|
A --------------------------------|--------------------------------|
E --------------------------------|--------------------------------|
  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .

E --------3-----------3-----------|--------5-----------5-----------|
B ----0-----------0---------------|----0-----------0---------------|
G 4-----------4-----------4-------|5-----------5-----------5--/4---|
D --------------------------------|--------------------------------|
A --------------------------------|--------------------------------|
E --------------------------------|--------------------------------|
  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .

E --------3-----------3-----------|--------2-----------2-----------|
B ----0-----------0---------------|----0-----------0---------------|
G 4-----------4-----------4-------|2-----------2---------------2---|
D --------------------------------|------------------------1-------|
A --------------------------------|--------------------------------|
E --------------------------------|--------------------------------|
  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
B7
E --------------------2-----------|
B ----------------0-----------0---|
G ------------2-----------2-------|	back to original form
D --------1-----------------------|
A 2---2---------------------------|
E --------------------------------|
  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .

Verse:

  Em
E --------0-----------0-----------|--------0-----------0-----------|
B --------0-----------0-----------|--------0-----------0-----------|
G ----0-----------0---------------|----0-----------0-----------0---|
D ------------------------2-------|4-----------2-----------0-------|
A ------------2-------------------|--------------------------------|
E 0-------------------------------|--------------------------------|
  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
  C
E --------0-----------0-----------|--------0-----------0-----------|
B --------1-----------1-----------|--------1-----------1-----------|
G ----0---------------------------|----0-----------0-----------0---|
D ------------0--h2---------------|--------------------------------|
A 3-------------------------------|3-----------2-----------0-------|
E ------------------------3-------|--------------------------------|
  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
  G
E --------3-----------3-----------|--------3-----------3-----------|
B --------0-----------0---0h1p0---|--------0-----------0-----------|
G ----0-----------0---------------|----0-----------0---------------|
D ------------0-----------0h2p0---|------------0-------------------|
A --------------------------------|------------------------2---3---|
E 3-------------------------------|3-------------------------------|
  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
  D
E --------2-----------2-----------|--------2-----------2-----------|
B --------3-----------3-----------|--------3-----------3-----------|
G ----2-----------2---------------|----2-----------2-----------0---|
D 0-----------------------0-------|0-----------------------0-------|
A ------------0-------------------|------------0-------------------|
E --------------------------------|--------------------------------|
  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
  Em
E --------0-----------0-----------|--------0-----------0-----------|
B --------0-----------0-----------|--------0-----------0-----------|
G ----0-----------0---------------|----0-----------0-----------0---|
D ------------------------2-------|4-----------2-----------0-------|
A ------------2-------------------|--------------------------------|
E 0-------------------------------|--------------------------------|
  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .  ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . 

 #----------------------------------PLEASE NOTE--------------------------------#
#This file is the author's own work and represents their interpretation of the#
#song. You may only use this file for private study, scholarship, or research.#
#-----------------------------------------------------------------------------#

Banks of Ohio - Joan Beaz

	    C                               G7                  C
I asked my love, to take a walk, to take a walk, just a little walk.
	C7                     F                C    G7        C
Down beside where the waters flow, down by the banks of the Ohio.

		  C                   G7
	And only say, that you'll be mine.
			      C
	In no others arms entwine.
		C7                     F
	Down beside where the waters flow,
		     C    G7        C
	down by the banks of the Ohio.


I held a knife against her breast, as into my arms she pressed.
Willie, oh Willie, don't murder me, I'm not prepared for eternity.

	And only say, that you'll be mine....

I started home 'twixt tvvelve and one, crying my god, what have I done?
Killed the only woman I loved, because she would not be my bride.

	And only say, that you'll be mine....
--------------------------------------------------------------------------------
Sergio Baptista Salgueiro
sergiob@mail.copel.br
-------------------------------------------------------------------------------- 

 E                  A         E
Amazing grace, how sweet the sound
                        B
That saved a wretch like me.
  E                  A       E
I once was lost, but now I'm found.
               B     E
Was blind, but now I see.

'Twas grace that taught my heart to feel
And grace my fears relieved.
How precious did that grace appear
The hour I first believed.
When we've been dead ten thousand years
Bright shining as the sun,
We've no less days to sing God's praise
Then when we first begun.
Amazing grace, how sweet the sound
That saved a wretch like me.
I once was lost, but now I'm found.
Was blind, but now I see.